Sunday, February 17, 2013

The Devil's Highway Response



     The Devil’s Highway explores the ideas of borders and boundaries through a very real and present issue.  The issue of illegal immigration is one that affects thousands of individuals in the United States.  I believe it is fair to say that it is one of the most prominent examples of modern human division in the United States today.  Most Americans obviously see it from a very American standpoint, thinking of how it affects American citizens, rather than seeing the causes of the issue, or the perspective of the immigrant.  The Devil’s Highway does show the perspective of the immigrant, in a very raw and revealing manner.  In doing this, it helps to explore both sides of this created border.  This removes the idea of “us” and “them” that is so prominent in this issue, by depicting characters that have very real, human struggles that everyone, regardless of race or nationality, can relate to.  Every father can relate to a man trying to support his family.  Every husband can see a bit of himself in a man trying to build a home for his wife.  These are the characters depicted in The Devils Highway.  They are men simply trying to do what is best for those that they love.  So where does the issue lie? Are these not all individuals of the same species trying to accomplish the same things?   
     The problem emerges with the creation of borders, which divide people to see differences in one another.  There is the border of race, between white Americans and Latino immigrants.  The simple characteristic of skin tone leads to a slew of racial separations.  It is the difference between whether or not you get your passport checked near the border.  This leads to issues of nationality and citizenship.  These are some of the most prominent of issues in The Devils Highway.  The book would be non-existent without these borders.  Because we created these ideas, we created the separation of “us” and “them”.  We separate people by where they were born and decide that this makes them fundamentally different than us, makes them unworthy of being where we are.  It causes the struggles of border crossers, as they cannot simply enter America in hopes of a better life.
             Obviously, there will be cultural differences between countries.  These are in part shaped by class differences.  Those of a less economically stable country will live more modest lifestyles.  They will perhaps live in more closely knit family structures.  They will be more likely to do work that those of a more economically stable will not.  These simple differences in lifestyle create cultural differences which instill borders between people.  Those from one side of a national border believe those on the other side are different.  Humans find differences between individuals that are really quite similar and use them to justify unfair treatment of these “different” people.  The Devils Highway reminds us that though somebody may be different, may be separated by a border of race, nationality, or citizenship, they are still human.  They still desire to support their family.  They still hope for a better life.  They may have come from a different place, but they are built of the same human characteristics, instincts, and desires.

Thursday, February 7, 2013

Maria Melendez



photo from Poetry Society of America Website

Maria Melendez

Bio: Maria Melendez was born in the US and grew up in the Bay Area of San Francisco.  She taught for 5 years in K-12, then taught Creative Writing and American literature at Saint Mary’s of Notre Dame and Utah State University.  SHe is a contributing editor for Latino Poetry Review and acquiring editor at Momotombo Press.  She was also the founding editor of Swan Scythe Press.  She recently became editor/publisher for Pilgrimage Magazine.  She lives in Pueblo, Colorado.  

Her Poetry:  Ms. Melendez’s poetry features some feminist influence.  Common themes of her poetry include feminism, love, pain, and death.  It is written in free verse form, with no rhyme scheme.  It is written in an abstract, stream of consciousness-like form which adds to the raw, emotional feeling of the poetry.  It is filled with vivid imagery, similes, and metaphors.  She uses some Spanish words, but mostly English. She has a few references to heritage, such as a Mayan god in “Tonacacihuatl: Lady of Our Flesh” and gender expectations in “Nude Sonnet”. Her references are a means of revealing the speakers Latino voice.

Ms. Melendez’s poetry serves to depict some of the awful things that take place in the world, and portray them in a raw, emotional manner.  Her work bridges a gap between the things we see in everyday life and some of the horrible things that happen. In doing this, she also depicts raw pain and emotion that are relatable to any human being.

“Nude Sonnet”

-Starts with imagery of she viewing her lover, then moves on to her thought processes of exploring love and relationships.
-Explores gender differences and expectations
-Borders-between expectations and reality of gender relations
-Bridge-between genders/lovers.
-Style-Prose, no rhyme scheme, interesting indentation, run-on sentences, stream of consciousness

Books:

Base Pairs. Swan Scythe Press, 2001. Print.

How Long She’ll Last in This World. Arizona: University of Arizona Press, 2006. Print.

Flexible Bones. Arizona: University of Arizona Press, 2010. Print.


Bibliography (also good sources for further research):

Aragon, Francisco, ed. The Wind Shifts: New Latino Poetry. Tucson, AZ: Univ. of Arizona

Press, 2007.
Melendez, Maria. Maria Melendez. Poetry Society of America. Web. January 28, 2013.